You can find more information about Futura PT Medium and it's character map in the sections below. 0 users have given the font a rating of 0.0 out of 5.
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Now the new Futura is an uniform type system, consisting of seven weights with corresponding obliques plus eight condensed styles. Futura PT Medium is a Medium TrueType Font. Simultaneously, the old eight styles were partly revised to match the whole family. Additional Cyrillic styles were developed in 2007 by Isabella Chaeva. Originally Cyrillic version of eight styles was developed at ParaType (ParaGraph) in 1995 by Vladimir Yefimov. Issued by the Bauer Foundry in a wide range of weights and widths, Futura became a very popular choice for text and display setting. This is a sans serif face based on geometrical shapes, representative of the aesthetics of the Bauhaus school of the 1920s-30s. This is a sans serif face based on geometrical shapes, representative of the aestheticsįutura was designed for Bauer company in 1927 by Paul Renner. Your Email Address: Futura was designed for Bauer company in 1927 by Paul Renner. Futura Now is available both as individual OpenType fonts and as a set of Variable fonts, delivering limitless styles in a tidy digital footprint.Currently #17 in Best Sellers Font Designer : Paul Renner, Vladimir Yefimov With a large Latin, Greek, and Cyrillic character-set, Futura Now serves a wider international creative community. Its contemporary alignment of names and weights makes the family easier to understand and use, and its comfortable Text and judicious Headline subfamilies provide instantly refined spacing. “It’s just as at home set next to a leafy tree as it is next to a stainless-steel table, because it skillfully navigates the border between super-clean geometry and humanist warmth.Futura Now-the definitive Futura-contains 102 styles, including: new Headline and Text weights new Script and Display weights and styles and new decorative variants (outlines, inlines, shadows, and fill). “Despite its reputation as the ultimate modern typeface, Futura Now is surprisingly warm,” he explains. “It brings some much-needed humanity back to the world of geometric sans serifs,” says Steve Matteson, Monotype’s Creative Type Director who led the design team. It’s more truly Futura-like than any digital version you’ve ever worked with. Futura Now offers designers a chance to see Futura with fresh eyes. Futura is a Registered Trademark of Bauer Types S.L.įor nearly 90 years, Paul Renner’s Futura has been as popular as it is versatile-from children’s books to fashion magazines to the plaque on the Moon.Futura is a typographic icon.
The commemorative plaque left on the Moon in July 1969 features text set in Futura. Futura works well for short blocks of text copy and captions. It is a good choice for space-sensitive environments. Futura is an exceptionally versatile typeface, suitable for headlines, sub-headings and body text at a smaller point sizes. Boutros Futura was designed to work harmoniously with the URW-Latin whilst respecting Arabic calligraphic and cultural rules. The Futura URW family has sixth weights for each - Latin and Arabic - variant (Extra Bold, Bold, Demi, Medium, Book and Light). In 1928 it was striking, tasteful and radical and today it continues to be a popular typographic choice to express strength, elegance and clarity. One of the great names in typography, Futura is a geometric sans-serif typeface originally designed by Paul Renner for the Bauer Type Foundry in 1928.
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For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.įutura is a modern bilingual typeface designed and created by two professional groups, each expert in their own field. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. In addition to the adjustment of spacing, there are also adjustments in the design. The kerning tables, as well, have been individualized for each of these type varieties. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. That of the Bodytypes is adjusted for readability. The most obvious differentiation can be found in the spacing. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions.